File size: 422 MB
The TRITON Extreme is the most powerful model in the series, featuring the first-ever "Valve Force" vacuum tubes in a music workstation, and most of the new PCM and EXB-PCM series waveforms. The powerful, analog-like sound of vacuum tubes can be used with software for incredible sonic performance. (TRITON Extreme is included in the KORG Collection - TRITON.)
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File size: 422 MB
The TRITON Extreme is the most powerful model in the series, featuring the first-ever "Valve Force" vacuum tubes in a music workstation, and most of the new PCM and EXB-PCM series waveforms. The powerful, analog-like sound of vacuum tubes can be used with software for incredible sonic performance. (TRITON Extreme is included in the KORG Collection - TRITON.)
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File size: 90 MB
In the 1990s, PCM synths were at their peak, but club scene artists were already searching for a more flexible, analog sound, hinting at the coming analog revival of the 2000s. It was in this context that the Prophecy was announced in 1995, offering more flexibility and timbral capabilities than ever before heard. Defined by the cutting edge digital signal processing technology and a DSP chip formerly used exclusively for effects processing, the Prophecy Solo Synthesizer is now available as a software plugin, with the ease of use, polyphony, and modern features necessary for today's music production.
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File size: 15 MB
The Polysix programmable six-voice polyphonic analog synthesizer was introduced in 1981. With a surprisingly full-sounding voice structure, chorus/phase/ensemble effects and performance functions such as chord memory, arpeggiator, and unison the Polysix became a world-wide hit. Its distinctive string and pad sounds are often heard to this day.
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File size: 26 MB
The analog monophonic synthesizer with the potential for patching that went on sale in 1978: the MS-20. The entirety of the MS-20 is reproduced with its two oscillators (which can be ring-modulated), high-pass/low-pass self-oscillating filters with unique distortion, and a patch section with an external signal processor that can accommodate external audio input.
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File size: 20 MB
The Mono/Poly is Korg's four-VCO monophonic/polyphonic synthesizer that went on sale in 1981 and was considered the culmination of Korg's experience building analog synthesizers. It was released at the same time as the Polysix, and because of their capabilities as well as their price, these two instruments caused a revolution in the synthesizer world. Many musicians acclaimed the Mono/Poly as Korg's best synthesizer yet, with a number of unique characteristics.
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File size: 244 MB
At the beginning of the 1970s, many compact monophonic synthesizers appeared on the market. However, most of them were used mainly by famous musicians who could afford rare instruments or as research devices in the academic world. KORG wanted to give the average musician the chance to experience this new type of musical instrument. After much trial and error, the company's first mass-produced synthesizer was announced in 1973: the miniKORG 700. With a simple appearance that belied its ability to produce diverse sounds beyond imagination, it charmed many musicians who loved its unique and thick tonal quality.
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File size: 8.0 MB
MDE-X is the exhilarating multi-effect plug-in first introduced in the Korg Legacy Collection. With the new Korg Legacy Collection – DIGITAL EDITION, the MDE-X Version 1.2 is here, and now supports RTAS plug-in format, as well as VST and Audio Units formats. Featuring a low CPU drain design, MDE-X v1.2 provides 19 high quality effect types, derived from the technical innovation and research behind Korg's Digital Recorders, TRITON synthesizers, and effects processors.
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File size: 76 MB
The first workstation synthesizer, released in 1988, which defined the sound of the late '80s and early '90s: M1.
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File size: 106 MB
Forty years later, a complete revival. The legendary analog synthesizer that transformed its age.
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