Gustav Bergmann Collected Works, Volume 1
Free Download Alexander Hieke, "Gustav Bergmann: Collected Works, Volume 1"
English | 2003 | ISBN: 3826712315 | PDF | pages: 370 | 17.5 mb
Gustav Bergmann had a major impact on contemporary philosophy as well as the philosophy and methodology of psychology. From 1967-68 he served as president of the American Philosophical Association (Western Division) and in 1972 he was awarded the first University of Iowa's named professorship in the College of Liberal Arts University of lowa's as Carver Professor. Bergmann died in 1987. In the first of a planned three-volume collection, Bergmann emphasizes the framework of a comprehensive ontology, a complete categorical inventory of the world. The issues with which he grapples include: Are there particulars as well as universals in ordinary things likes stones and clouds? Are the properties of ordinary things universals, or as minimalists hold, particular? Does an ordinary thing persist at one and the same time, or does it comprise a series of momentary entities? Are relations monadic or polyadic? Are sameness and diversity basic, or are they derived and definable? In the second volume, Bergmann addresses themes of logic and reality. Here Bergmann goes beyond the distinction between analysis and synthesis into a study of intentional connections between mental states and the facts they purportedly intend. He combines these with two other elements: internationality and exemplification. These are brought together with logical conjunction and disjunction, which he considered as connections in reality and not just as mere symbols. Volume 1: Metaphysics of Logical Positivism: 1. Remarks on Realism. 2. Sense Data, Linguistic Conventions and Existence. 3. Russell on Particulars. 4. On Nonperceptual Intuition, 5. A Note of Ontology. 6. Bodies, Minds, and Acts. 7. Two Types of Linguistic Philosophy. 8. The Identity of Indiscernibles and the Formalist Definition of "Identity." Logical Positivism, Language, and the Reconstruction of Metaphysics. 9. Meaning and Existence. 10. Particularity and the New Nominalism, 11. Some Remarks on the Ontology of Ockham, 12. Professor Quine on Analyticity, 13. Intentionality, 14. Russel's Examination of Leibniz Examined, 15. The Revolut Against Logical Atomism, 16. Freg's Hidden Nominalism, 17. Sameness, Meaning, and Identity. Volume 2: 1. Acts, 2. Ineffability, Ontology, and Method, 3. Ontological Alternatives, 4. Inclusion, Exemplification, and Inherence in G. E. Moore, 5. Strawson's Ontology, 6. The Ontology of Edmund Husserl, 7. The Glory and Misery of Ludwig Wittgenstein, 8. Stenius on the Tractatus, 9. Synthetic A Priori, 10. Realistic Postscript, 11. Diversity, 12., Sketch of an Ontological Inventory, 13. Notes on an Ontology, 14. Notes on the Ontology of Minds.


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Gustav Klimt An icon of fin-de-siècle art (Art & Literature)
Free Download Gustav Klimt: An icon of fin-de-siècle art (Art & Literature) by 50Minutes
English | November 26, 2018 | ISBN: 2808011075 | 70 pages | EPUB | 1.16 Mb
Keen to learn but short on time? Find out everything you need to know about the life and work of Gustav Klimt in just 50 minutes with this straightforward and engaging guide!


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Fostering the Ontological Turn Gustav Bergmann (1906-1987)
Free Download Fostering the Ontological Turn: Gustav Bergmann (1906-1987) By Rosaria Egidi (editor), Guido Bonino (editor)
2009 | 274 Pages | ISBN: 3868380086 | PDF | 5 MB
Gustav Bergmann (1906-1987) was, arguably, one of the greatest ontologists of the twentieth century. In 2006 and 2007, after a period of relative neglect, international conferences devoted solely to Bergmanns work were held at the University of Iowa in the USA, Universit de Provence in France, and Universit degli Studi di Roma Tre in Italy. The fifteen papers collected in this volume were presented at the third of these conferences, in Rome, and are here divided into three sections: "Categories of a realistic ontology," "World, mind, and relations," and "Metaphysics of space and time".


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Gustav Klimt
Jane Rogoyska, Patrick Bade, "Gustav Klimt"
English | 2011 | pages: 200 | ISBN: 1646994736, 164699549X | PDF | 47,3 mb
Gustav Klimt (1862-1918) was one of the most influential artists at the end of the 19th century, and was the founder of the Viennese Secession movement. He used the movement to express his criticism of traditional art, which was characterised by its opposition to change and the refusal to succumb to a fixed vision of Modernism. Klimt took inspiration from the slow but unstoppable decline of the Austro-Hungarian Empire, and the multitude of cultures from which it was composed. He was an artist of great eroticism and sensuality, and, together with Kokoschka and Schiele, is one of the great masters of Expressionism. This book brings together Klimt's finest paintings, along with a text that demonstrates the extraordinary eclecticism of this great artist.


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A complex fate  Gustav Stickley and the Craftsman Movement
A complex fate Gustav Stickley and the Craftsman Movement By Barry Sanders
1996 | 192 Pages | ISBN: 0471143928 | PDF | 16 MB
"It's a complex fate, being an American." - Henry JamesA Complex Fate offers the first full-length look at Gustav Stickley, who rose from unknown cabinetmaker to the most vocal spokesman in America for the early twentieth-century aesthetic revolution that became known as the Craftsman Movement. In the face of the Modern Age, Stickley espoused the values of the medieval craftsman, influencing the design of furniture, pottery, metalwork, jewelry, bookbinding, leatherwork, and architecture. Author Barry Sanders chronicles the progress of Stickley's wide-ranging career, from his rise to fame and wealth to his ultimate financial ruin. Rare photographs and renderings of Stickley's designs enhance this compelling portrait of the man and his work.It was a time of enormous upheaval in America. Sweeping and convulsive changes spilled into the new century in every conceivable shape: electric lights, overhead railways, airplanes, automobiles, the Ashcan school of painting, jazz, and Henry James. Yet, in the middle of this time of intense innovation, a movement dedicated to simple living began to take shape. It became known as the Craftsman Movement, and an unknown cabinetmaker, Gustav Stickley, became its most vocal spokesman, and in many ways, its embodiment.A Complex Fate chronicles Stickley's life and career-a career marked by the same contradictions that characterized America's transition from a largely rural society to a modern, technological one. He regarded himself as a modern, yet espoused a philosophy that celebrated simplicity, community, and skilled manual work. His furniture itself, at first glance simple, stark, and hand-built, was nevertheless mass-produced and regarded as thoroughly modern by a public eager to buy it.In this, the first full-length profile of Stickley, we follow his rise to staggering wealth, wide popularity, and enormous influence on the design of furniture, pottery, metalwork, jewelry, book-binding, leatherwork, and architecture. We see the power of his charisma and uncommon ego, his plans for rural crafts schools, and his messianic drive to spread the message of artisanship, community, and honest, unalienated labor. We watch, too, as his ambitions and contradictions finally become overwhelming, leaving him a bankrupt and broken man.A Complex Fate is the robust portrait of a man whose talent, nerve, and savvy have left a lasting imprint on design in America, and whose life offers us a window on the roiling tumult of a society on the brink of a new age.


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