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Фото видео монтаж » Видео уроки » Visual Orchestration #1 Spectrotone Course - Basic Edition

Visual Orchestration #1 Spectrotone Course - Basic Edition

Visual Orchestration #1 Spectrotone Course - Basic Edition
Peter Lawrence Alexander | Duration: 3 h | Video: H264 720x480 | Audio: AAC 44,1 kHz 2ch | 1,78 GB | Language: English
The Visual Orchestration #1: Spectrotone Course is a short course in orchestration giving you valuable professional scoring information over seven Video Lectures that's rarely, or if ever taught, in orchestration courses.
Using the Spectrotone Instrumental Tone-Color Chart (available separately, or included in the Master and Advanced Editions of Visual Orchestration #1), you'll learn a boatload of practical writing concepts that you'll use every time you begin creating music, whether for live ensemble or for MIDI mock-ups.
Stylistically, you can apply Visual Orchestration #1: Spectrotone Course insights to orchestral ensembles (small or large), string quartets and quintets, woodwind ensembles, brass ensembles, trombone choirs, percussion ensembles, concert bands, jazz big bands, horn sections, and MIDI mock-ups when using orchestral sample libraries.


For those who want to learn orchestration by ear, Visual Orchestration #1 is ideal, because it distills the core principles of orchestrating so that the ability to read music is not required. The focus is on the things you do by ear using the Spectrotone Chart as your visual guide. The course combines instrumentation, orchestration, composition and some recording information.
But for those who do read music, you'll find that Visual Orchestration #1 covers advanced concepts rarely taught in the college classroom, especially in the practical application of counterpoint, and creating combinations.
The Visual Orchestration #1: Spectrotone Course teaches you by emphasizing the aural aspects of orchestration which is the heart of orchestrating - whether you read music or create by ear. That's because all orchestration, every single bit of it, is done by ear in the musical imagination before ink hits paper or an orchestral sample is triggered by a MIDI keyboard.
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