Utopian Television Rossellini, Watkins, and Godard beyond Cinema
Free Download Utopian Television: Rossellini, Watkins, and Godard beyond Cinema By Michael Cramer
2017 | 304 Pages | ISBN: 1517900395 | PDF | 5 MB
Television has long been a symbol of social and cultural decay, yet many in postwar Europe saw it as the medium with the greatest potential to help build a new society and create a new form of audiovisual art. Utopian Television examines works of the great filmmakers Roberto Rossellini, Peter Watkins, and Jean-Luc Godard, all of whom looked to television as a promising new medium even while remaining critical of its existing practices.Utopian Television illustrates how each director imagined television's improved or "utopian" version by drawing on elements that had come to characterize it by the early 1960s. Taking advantage of the public service model of Western European broadcasting, each used television to realize works that would never have been viable in the commercial cinema. All three directors likewise seized on television's supposed affinity for information and its status as a "useful" medium, but attempted to join this utility with aesthetic experimentation, suggesting new ways to conceive of the relationship between aesthetics and information.As beautifully written as it is theoretically rigorous, Utopian Television turns to the writing of Fredric Jameson and Ernst Bloch in treating the three directors' television experiments as enactments of "utopia as method." In doing so it reveals the extent to which the medium inspired and shaped hopes not only of a better future but of better moving image art as well.


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Godard (BFI Silver)
Free Download Godard (BFI Silver) by Richard Roud
English | September 16, 2010 | ISBN: 1844573559, 1844573540 | True EPUB | 264 pages | 55.3 MB
Richard Roud's Godard, first published in 1967 as 'Number One' in the seminal Cinema One series, was the first monograph on the great film-maker to be published in English, and one that reveals a unique intimacy between the author and his subject. Roud's provocative and far-reaching analysis shows an intuitive understanding of the aesthetic, intellectual and political context in which Godard worked, paying particular attention to his 'political' cinema, including the ferocious masterpiece Weekend (1967).


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